Renaissance hasn’t been able to generate the same level of success as the recent Taylor Swift: The Eras Tour concert film, which made nearly $180 million domestically. The concert film is looking at an estimated $5.3 million, which marks a hefty 75% decline, and takes the movie to just under $30 million at the domestic box office. But in a bit of an anti-climax, last weekend’s number one film, Renaissance: A Film by Beyoncé, tanked in its sophomore frame, claiming the fifth spot on the weekend chart. As we’ve seen so often in the post-pandemic era, even moderately entertaining animated movies are showing great legs at the box office primarily because of a lack of competition. While Haruki Murakami is a household name across much of the world, Japan has long been a hub of homegrown literature, and there are dozens of novels from talented Japanese writers worth reading. Now in its fourth weekend, the film grossed an estimated $6.2 million, taking its running domestic total to just under $85 million. 20 Japanese Writers: The Best Authors From Japan Over the Decades. As we read the novel, we track the progress of a tragic yet beautiful figure, Yozo Oba, as he offers melancholic yet comic facets of his perceived inadequacy as a. The fourth spot went to yet another animated sleeper hit, Universal’s Trolls Band Together. The second best selling novel of all time in Japan after Natsume Soseki’s Kokoro, No longer human is a poignant, heart-wrenching tale of alienation, sorrow and the human condition. Globally, the film is passing the $50 million mark, and will next target the $76 million worldwide haul delivered by its predecessor, Shin Godzilla, in 2016. In a first, two Japanese movies have found spots in the top three of the domestic box office chart, with Godzilla Minus One passing the $25 million mark stateside with an estimated $8 million this weekend. Last week’s wild card, Toho’s Godzilla Minus One, made the most of its extended domestic run by claiming the third spot. The Ballad of Songbirds & Snakes would hope to pass the $300 million mark globally by the end of its run, which should be a respectable enough performance, considering its relatively restrained $100 million reported budget. The dystopian drama remains the lowest-grossing installment of the blockbuster YA franchise, which has generated over $3 billion worldwide since its inception in 2012. Retaining the number two spot, Lionsgate’s Hunger Games prequel, The Ballad of Songbirds & Snakes, grossed an estimated $9.4 million in its fourth weekend, taking its running domestic total to $135 million. Reviews for the film have been excellent The Boy and the Heron stands at a “fresh” 96% score on the aggregator website Rotten Tomatoes, and has earned an excellent A- CinemaScore from opening day audiences. The film had already grossed nearly $85 million in international territories before its domestic debut, and should pass the $100 million mark globally very soon. The Boy and the Heron marks Miyazaki’s first release since 2013, and something of a comeback for Ghibli.
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